|14 July 2019||19:30 h||Sadler’s Wells Theatre||BUY TICKETS|
It is the beat and the dance out of context, voice and percussion, joyful music. And on top, nourishing, floats the story, a reflection over what’s mystic, a character above reality with an essence between human and divine, living its story in mourning, in threat, in fear.
It is transit, transformation, loss, madness. It is the attempt to defeat destiny. Catedral is all about an initiation in which the devoted observer comes to a stop, silence their words, and set their hearts ready for the sacred liturgy of the dance, for the dialogue with the world of creation. It is the connection of our outer space, the profane, with the sacred inside.
It is the Dance that, as an Architect, organizes a structure that allows it, through the use of technique, to transfigure and dissolve all substance of the building elements, reaching clear sensations of elevation and ingravity.
Patricia Guerrero (1990) is currently the biggest flamenco star in the making. Her first three major shows, Catedral, Distopia and Proceso Eterno prove her to be one of the most talented and original dance makers of her generation, in search of a new flamenco dance language. Guerrero’s body is bursting with flamenco, and she uses it to draw the most fabulous geometric figures.