Life doesn't have an explanation: it has to be lived, not analyzed. Flamenco dancing, as it is alive, is neither thought nor treatise; it is an act, breath that flows, relentless motion. The flamenco dancer is alive because he breathes, because he is on stage and fills himself with time and inhabits the space. He is like a leaf rocked by the wind (the music, the rhythm, the voices) and like a tree which sinks its roots into the earth (its heart, its truth, its soul). With DOS VOCES PARA UN BAILE, Javier Barón wanted a show that was free, alive and essential. This was the challenge: a seamless suit, a transparent building. The bet was demanding, but very attractive. Nothing harder than disappearing and being present at the same time, nothing more complex than simplicity. For this, we have studied an "invisible" scenery which never claims a limelight that doesn’t fit in this case, and which nevertheless follows each dance, each song, as a lover, as a front-row spectator, and puts him there, where its fullness is reached.