Juan de Juan y Samuel Jason Smith
Artistic Residency:Dance Under the Influence
This residency meant the cultural rapprochement between flamenco and tap, the dialogue between gypsy culture and black culture from the past to the future, from Africa to Andalusia, from Andalusia to Harlem, from Harlem to the depths of the soul, which is where they are born and where two paths whose meeting seems inevitable, as if from their birth these two dance expressions were made to complement each other. This union had always been made from music (Paco de Lucia, Miles Davis, Chick Corea…), but not so often from dance.
Juan de Juan and Jason Samuels Smith’s residency delved into the sound, aesthetics and choreography, going through the different styles and periods of the ‘hoofer’s’ (as tap dancers are known), and the dancers, showing their evolutionary parallelism from their beginnings to the present time, but leading the interpretation from the respective personal styles of the Sevillian and the New Yorker.
The audience that participated in the presentation of the results of each stage and the subsequent colloquiums have expressed that they were deeply touched by the honesty, humanity and strength of the presentations.